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Recording Career
1957 - 1963

As a guitar player, I was very popular in and around Los Angeles due to the fact that I could read music and knew a great number of the standard songs that were popular for many years before my time. Additionally, I could play the blues, and quite a number of country standards as well.


T Bone Walker, a very popular blues guitarist and singer, was quite an inspiration to me because of the way he played and sang. His technique was very striking and his approach to solos and the lines he played backing his vocals really impressed me. As a result, my style of playing was along the lines of T Bone Walker, Oscar Moore, who played with the King Cole Trio, Bill Jennings, who recorded a number of records during the 50's, Arthur "Guitar Boogie" Smith, a popular country guitarist, Johnny Rodgers Jr., guitarist with the Roy Milton Orchestra, in the late 50's, were all influences on my playing style. Musically, a profound influence was the legendary Les Paul, of Les Paul and Mary Ford. The sound of their music, the arrangements and guitar embellishments were an outstanding influence. I met Glen Campbell in 1962 while working on the Chubby Checker Show, at the Cow Palace in the San Francisco Bay Area. He showed me that light gauge strings would add to my playing speed and technique. Also, he used a "plain G" string and this helped add to my bluesy expressions.


A most dynamic experience for me was to meet the legendary guitarist, Pete Lewis, who played on all of Johnny Otis' hit records of the 50's and 60's. He also was instrumental in hits like "Midnite In The Barrel House", and "Blues After Hours". Pete was an aggressive player and played the blues with such feeling and emotion that you could feel the notes that he played just like you could feel the vocalists that he backed up. Vocalists like, Lil' Esther Phillips, Mel Walker and many other artists made famous by Johnny Otis.


I never imagined at the time that I would one day be featured with the Johnny Otis Band, television show and recording group in the 60's. Another dynamic influence was Johnny "Guitar" Watson who became a good friend and with whom I had the pleasure of doing live performances, night club, and recording dates.

 

Aaron "T-Bone"  Walker
A legendary guitarist, vocalist, and band leader. I worked with him in the 60's. He was a great player.
 
In the late 50's and into the 60's I had the opportunity to work with a number of bands and vocalists, which brought me contact with a number of entertainers that I never imagined that I would have even met, let alone have the privilege to work with.
 
When I was about ten or eleven years old, there was a night club in Dallas, Texas called "The Rose Room." A neighborhood friend who's mom worked at the club, told us never to come to the club. (right!) We always "snuck" down to the club and listened when people that we had heard about would be appearing there.
 
On one of those nights, we heard that "T" Bone Walker and his band was appearing. We were not able to sneak out that night but to my delight, the next day he and some of his musicians were visiting a lady in our neighborhood and they were jamming. The  music was inspiring and I knew that one day I would learn to play that kind of music.

Lil'  Darlin'
by: Arthur G. Wright
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